Salon 2008

11 July
“Residential Lighting: Past, Present, Future
Rediscovering Residential Lighting from the Past to Modern Day.”
New Maru Building Ecozzeria, Marunouchi
by: saiko tanuma

The Lighting Detectives hosted the first of three salons focusing on residential lighting Friday, July 11th at the New Maru Building Ecozzeria. The hall was packed with over 100 guest who listened intently to the speakers who presented; “Residential Lighting: Past, Present, Future ? Rediscovering Residential Lighting from the Past to Modern Day.”

During the fiscal year of 2008 ? 2009 the Lighting Detectives will be hosting a series of 3 salons, all focusing on the influences of residential lighting. In discussing the culture of lighting, residential lighting seems like the best and most important starting point, as we delve into and analyze the why`s, what`s, and how`s. Our first salon outlined the history of residential lighting, with an emphasis on the ideal form of lighting from past to present in Japan. Kaoru Mende, and members of the Lighting Detectives, also heard contributions from guest speaker, Kazuya Ura, architect and interior designer.

First on the program, a report from a survey of the Yoshihara residence in Kyoto by Lighting Detective members, who relayed their findings about Japanese light and the lighting environment of an old, Japanese-style house. What kind of effects do the daily changes in natural light contribute to the lighting environment? What can be done in the light of a single lantern? These are just some of the thought provoking questions raised and discussed during their presentation.

Mr. Ura presented examples of his own experiences with residential projects stating, “lighting and great views are found below, not overhead.” I couldn’t help but think of how Japan has been overgrown with big, overhead ceiling lights. Chief Kaoru Mende and Mr. Ura continued, to further discuss the background and gap between old Japan, that lived day to day with only tiny amounts of light, and post-war Japan, that has become so blindingly bright.

The second salon of this series will be held on Friday, October 17th titled, “Turning Out the Lights on the Residential Incandescent Bulb?!” The final salon of the series, Friday, January 16th, 2009, will continue along the same theme, “Perspectives on Residential Lighting from Present Day and into the Future.” What are the trends in residential lighting? Is the incandescent bulb really outdated? Should it really be banned? Is there a bright future for residential lighting? These are just some of the questions the Lighting Detectives are investigating. Hope to see you at the next salon.





City Walk 2008


23 April 2008
Tama Art University Library and Hachioji Campus
by: misa fujii / hiroyuki miyake

On this cool, spring evening we took our city walk to the Hachioji Campus of the Tama Art University to investigate the new library, completed in the spring of 2007. Professor Satoshi Tabuchi, who has been coordinating the architecture and general campus planning for the Hachioji Campus, was kind enough to give the lighting detectives a personal tour of the library and campus.

■Library during the Daytime
Reading is the focus and concentration of a fixed line of vision over a long period of time and sharp shadowing can disturb this concentration. During the daytime, daylight creates soft shadows and a slightly changing atmosphere through out the library. Natural light penetrates thin, white curtains helps to soften the lighting along the seating near the windows. The silhouette of the Zelkova trees and curtain pattern fall onto the desktop with spots of sunbeams that stream through the tree leaves to create a relaxing reading atmosphere. The indirect fluorescent lighting overhead reflects off the concert ceiling to recreate the impression of a cloudy day. Each space seems very personal, like one would want to curl up by oneself with a book on a rainy day. These two types of light meet in a perfectly, soft gradation of light and shadow to create a very comfortable reading a studying environment.

■Tray of Light
The sloping 1st floor and spiraling staircase to the 2nd floor is a design just begging visitors to move around and explore. It is a unique experience with discoveries to be found all over the library. However, the indirect lighting was not designed to facilitate this movement. On the stairs the 1st floor indirect lighting is clearly in view and an obvious source of glare. For the lighting detectives with is a paradox. We are interested in not only appearances, but also the method and this was a great opportunity to view the lighting method involved. But for visitors this design is a source of unpleasant brightness and interrupts the view as they wonder through the building. As a lighting designer I realized that from our everyday experiences, we have to learn to create lighting environments that consider all the elements, down to the finest detail.

■Library at Night
During the day the library absorbed plenty of natural light and seemed to blend into the environment, but as the sun went down, the fluorescent lights brightly lit the interior, pulling the building out of the black campus. If I were the designer on this project, I would turn off all the indirect ceiling lights, with only the warm glow from the desk and bookshelf tasks lights. Students would have plenty of light for working at their desks, but the rest of the interior would reflect the blackness of the night outside. This is how I think we should greet the night, by blending in with it and getting lost in a good book.

■Light Library, Dark Library
After visiting this library, I realized that there are two types of libraries: active libraries and storage libraries. The new Tama U. Library is the former, a very active library. Wherever one would stop to read a look or do some work, there is always the right amount of light. All sorts of different information is orderly and very understandable. The books are arranged for easy access with a homogenous amount of light throughout the overlapping spaces. On the other hand, a storage library has the unpleasant image of a room with small, cobwebbed windows and rows of dust shelves. One might think they where hunting for books in a cave where something lies sleeping, buried beneath mounds of books. This is an image that needs to be put to rest, but a diverse, heterogeneous lighting environment is not such a bad thing.

■Campus Landscape
The Hachioji campus of the Tama Art University sits quietly on the edge of Tama New Town. Most of the campus buildings are comparatively low, only a few stories high, but spread out and interspersed with green lawns. From the main gate the path took us to the heart of the campus, past the library, auditorium, and media center with department buildings along the perimeter. The campus is fairly dark at night with only a few students visible, but light from the plaza, glass enclosed workshops, small student galleries, and other buildings still in use, create small patches of light and the hint of students hard to work. But there is still something lonesome in the plaza and around the campus. The lamps on the pole lights are glaring, but not very bright, and the bollards are few and far between. A university campus might wear this cloak of darkness well, but
someone should do something about connecting each
space better.