|





Salon 2006
10 April
Lighting Detective Headquarters, Shibuya
Reported by Yukiko Saito
■Reported News, Surveys, and Events
Nihonbashi & Sumidagawa Riverwalk…Tsutomo Nagatsu
Light Up Ninja: Singapore…Kaoru Mende
Kyoto City Lighting Survey…Momoko Muraoka
Kobe City Lighting Survey…Tsutomo Nagatsu
Christmas Illumination Survey…Musashino Art U. Students
Candle Night Winter Solstice 2005…Saiko Tanuma
■ Nihonbashi & Sumidagawa Riverwalk
After a little bit of a dry spell, the Lighting Detectives gathered once again for the usual and unusual
round table discussion at the Shibuya Headquarters. With so many events to report, the night started off
with the most recent city walk, a chartered boat tour up the Nihonbashi and Sumidagawa Rivers. Seeing
the city lights from the river is always exciting and a hot discussion of lighting pros and cons kept
the river rats entertained.
■ Light Up Ninja, Singapore
Chief of the Lighting Detectives, Kaoru Mende, also reported on the first Light Up Ninja event in
Singapore. The two-day workshop was held in November of last year at Singapore`s Duxton Plain Park.
From the event photographs, participants of all ages were enthusiastic and creative in their lighting
designs.
■ Japanese City Lighting Survey
The night continued with reports from our series on Japanese cities with lighting surveys from Kyoto and Kobe. Kyoto is always a beautiful city to view, but even the simplest street lights reflecting off
the rain drenched streets added a mystical element to the photographs. Situated along the bay, Kobe was
compared and contrasted to, twin city, Yokohama, also surveyed last year.
■Christmas Illuminations
Tonight’s salon ended with a glimpse back at the Christmas season with a special presentation of
Christmas illuminations from around Tokyo presented by Musashino Art University Students and a report
from the Candle Night Winter Solstice 2005 Event. The students shared video and photographs of Christmas
Illuminations in Roppongi Hills, Millenario, Ginza, Ebisu, Shiodome, and Shinjuku Southern Terrace.
In contrast to the festive illuminations, Candle Night was rich in orange flames and slow moving crowds
who gathered along Omotesando for the biannual event.
7 July
ERCO TOTO Showroom, Minato Ward, Tokyo
Reported by Motoyo Ogawa
■Reported News, Surveys, and Events
Hakone City Walk…Momoko Muraoka
Nihonbashi & Sumidagawa Survey…Chiaki Tanigawa
Light+Building 2006…Ken Okamoto & Mr. Nakamura from ERCO TOTO
Lightfair International 2006…Chief Kaoru Mende
Singapore Lighting Experiment…Chief Kaoru Mende
Candle Night Summer Solstice 2006…Saiko Tanuma
The Lighting Detectives are always on the move and for this salon the party moved to the ERCO TOTO
Showroom in Minato Ward, Tokyo. The night started with the most recent city walk to the hills of Hakone.
The hydrangeas were in full bloom and specially illuminated for viewing from the slow ?moving mountain
trolley. The little train chugged along as passengers 'ooh'ed & 'ah'ed over the colorful flowers and
lighting display. Also close to home, a report from a recent survey of Tokyo’s Nihonbashi and
Sumidagawa area and the Candle Night Summer Solstice Omotesando-Eco Avenue Event. From here the
discussion went abroad to Germany, Las Vegas, and Singapore. At the end of April, detective members
traveled to Germany to attend the Light+Building 2006 in Frankfurt. For a full two days they were
inspired, overwhelmed, and surprised by the simple power and beauty of light at the event. Mr.
Nakamura from Erco Toto showed pictures of the Erco booth display and the Erco staple, yellow flowers. In
comparison, Kaoru Mende presented and relayed information from a May lighting show in Las Vegas.
Lastly, a short presentation on a recent lighting experiment at a busy downtown Singapore i
ntersection. An installation of abstract lighting projected on the pavement added an element of
excitement to the usual downtown fair. This installation will actually be taking place in November
of this year, if any of our readers are in the Singapore vicinity!!
17 October
D`s Labo Aoyama, Tokyo
Reported by Tsutomo Nagatsu
■Reported News, Surveys, and Events
Moon Watching in Sankei Garden…..Tsutomo Nagatsu,
Yusuke Hatori
Hiroshima Urban Lighting Survey….Tsutomo Nagatsu,
Yuki Ogawa
Taipei, Taiwan Lighting Survey…Mikene Yamamoto
Mixed in with the houses of this quiet residential neighborhood is the D`s Labo Aoyama of Daiko Electric Company. The salon was held here in this comfortable half-basement conference room, stylishly decorated like an interior designers showroom.
■Moon Watching in Sankei Garden
Detectives gathered at Yokohama`s Sankei Garden to view the harvest moon as it cast its light over the garden grounds, Japanese architecture, and pond, creating shadows and deep contrasts. On a clear night, the moon can be seen hanging over the pagoda and reflected in the pond. However, Mother Nature had other plans, and a howling storm chased us all inside. Chief Mende lectured on the history of Japanese light and members viewed a slide show of garden pictures taken on a planning trip earlier in the week. The moon shown bright on the screen, as everyone longed to go outside and greet the real man in the moon. Moon trivia also kept the salon audience entertained.
■Hiroshima Urban Lighting Survey
August 5th through the 7th Hiroshima urban lighting survey included fieldwork at Itsukushima Shrine and viewing of the River of Light, softly lit lantern set afloat in the river, full of prayers for peace and as a symbol of remembrance as part of the Atomic Bomb Peace Memorial Service. Usually Itsukushima Shrine is approached from the land, but at low tide one can walk out to the large red gate in front of the shrine and get a different perspective. Even thought this is a World Heritage Site the night illumination leaves something to be questioned. The lighting is very flat and unfortunately does not emphasis the architectural detail. The next morning we attended the Atomic Bomb Peace Memorial Service at 8 AM, and realized that the River of Light event to be held that nigtht is not just an event, but also a reflection of this emotional ceremony. The lightscape created by the lanterns floating down the river cannot be described as just “beautiful” or “pretty,” but a complex mood is intertwined with the beauty of the lanterns and unfortunately countered by glaring streetlights in the background.
■ Taipei, Taiwan Lighting Survey
At 508 meters, the view from Taipei 101 is breathtaking as the city is laid out below. The shape of the building is an upside-down trapezoid, which doesn’t make it seen that tall, especially with no high-rise buildings in close proximity. From the top, light from main roads is clearly visible and light from buildings and facades fades into the dark night, backwards from what we experience here in Tokyo. Kiro, characteristic of Taiwan architecture, are protective coverings over the sidewalks, like an arcade or piloti. These coverings hide the sidewalks and make the light in the streets more visible at night, according to Detective Yamamoto.

City Walk 2006
20 March 2006
Nihonbashi & Sumidagawa Riverwalk
Survey by: Teruhiko Kubota
Redevelopment in Tokyo is at an all time high, but with big construction comes consequence. On this
city walk 26 lighting detective set off on a river tour to rediscover Nihonbashi and Sumida Rivers.
As more and more light is spreading throughout the city, we set out to rediscover the contrast and
shadows of these closed off rivers.
An Artificial Darkness
Shinjuku, Shibuya, Ginza….All places that come to mind as hot Tokyo night spots, and all places a glow
in a dull brightness. All are crowded, loud, and built-up with as much lighting to match. But on this
city walk along Nihonbashi and Suimda Rivers, my impression of Tokyo changed. In contrast to these areas
of obnoxious light, the river ways were filled with shadows. They weren’t gloomy, dark shadows, but
man-made shadows under bridges, overpasses, and highway junctions. I was pleasantly surprised to see
these places left in Tokyo; especially under bridges it was pitch-dark!! Darkness and shadows don’t
leave one with a warm-fuzzy impression, but this river trip awoke something in me. We go through each
day and night in such brightly lit places that we might be taking dark places for granted that they
will always be somewhere. After this experience on the “dark side” the main areas of Tokyo seem
extremely bright. As a lighting designer, our job is to create space using light as our tool, I
realized once again that Tokyo needs saving from its overzealous lighting.
Light Through the Darkness
It’s not worth mentioning, but lighting effects work better in dark places. I wanted to rediscover this
principal on this trip and I brought along xenon lamps to perform a little experiment of mine. It was
simple, but the results really interesting. We just shown the light in the direction the boat was
heading. If we illuminated the surface of the water we could see the waves hitting the riverbank
and illuminated the underside of the bridges created an interesting lighting effect straight out of
a spy movie.
The Edo Bridge junction, an area where four different parts of the highway come together, form a complex
system of overpasses and is a tangle of light and shadows. Headlights shining on the twisting overpass
structure above reflected on the river surface. It is important to look at the ordinary from an
extraordinary angle sometimes. One just might find something new and interesting.
28 June 2006
The Hydrangea Hillsides of Hakone
Survey by: Momoko Muraoka
From Shinjuku to Hakone, we left Shinjuku Station one June evening on the Romance Train bound for the illumination of the beautiful hydrangea of the Hakone hills. From the Romance Train we all cramped into the small two-car train that would take us up the mountain and to the hydrangea.
The hydrangeas are in full bloom throughout the month of June and color the hillsides of Hakone in various tones of blues and pinks. To keep the fun going the flowers are illuminated and flower viewing continues into the night from the windows of the small train. As the train starts out the lights are dimmed and the passengers enjoy a relaxing ride up the mountain. After arriving at the main viewing point, all the car lights are turned off and the night air is a glow with the hydrangea illumination. The small train moving through the mountain blackness was calming, but sitting in that dark train car and experiencing the lights outside was a surreal experience. At the final destination, Miyanoshita Station, the passengers are allowed off the train to view and take pictures of the flowers and lights.
On the way home, various opinions of the illumination were tossed around. “When illuminated from below the light source is visible and too bright for the eye. It might be better from above?” “It was a good idea to create certain condensed areas of illuminated flowers, but if the light sources were attached to the train, passengers would be able to view all of the flowers.” “The fluorescent train car lights were too abruptly turned on at the final destination point. Something needs to be done about that!!”
Tonight, the hydrangea showed us many different faces under the spotlight, but there is always room for improvement in the lighting methods. Although, I have to admit the sun does the best job of illuminating these beautiful mountain flowers!
Survey by: Natsuko Ueda
Around the world there are 150 different types of hydrangea and once planted the color of the flowers is decided by the nature of the soil. Tonight the Lighting Detectives excitedly awaited the flower covered hillsides as they conversed and ate station lunch boxes on the 90 minute journey to the hills of hakone to take part in the hydrangea night viewing festival.
Normally the train cars are brightly lit, but in order to see the flower illumination the lights were dimmed or turned completely off. Some of the bushes along the way weren’t yet in full bloom, but fireflies zipping around the dark hills and a lively tour guide made for an all-smiles lighting survey.
To get the most out of our survey we split up into 4 teams and each covered a different area. One team observed the illumination from the train car windows and three teams surveyed outside around Ohiradai, Miyanoshita Station, and the sculpture garden.
1. Ohiradai
The flowers were the prettiest at Ohiradai. It was a picture taking marathon as observers were everywhere snapping the shutter.
2. Minoshita Station
The mountain train stopped for about 10 minutes at this last station before returning to Hakone. Red, blue, and green color lighting was used to illuminate the flowers at this station.
3. Sculpture garden
At this train crossing we reencountered the hydrangea in full bloom. Fixtures were positioned on the ground and invisible from inside the train, but unfortunately, glare from the fixtures was still visible. The effects are really visible in the photographs we took and all of this could have been prevented is hoods or levers were used to control the lighting distribution of the fixtures. At dusk and in the afterglow of the sunset, the flowers were dramatically lit from below, but as it got darker the expression of the flowers and light didn’t change for the better.
4. Inside the Hydrangea Train
On any other day the inside of the train would be bright with not shadows and all passengers and objects would appear flat. But the dimmed train actually enhanced the atmosphere and mood of the train. The guided tour started off by announcing that this was not an out of season Christmas illumination, but as the fireflies zipped by the blacked windows something felt surreal. It was such a fantastic and unusual night that my eyes welled with tears.
06 October 2006
Moon Watching at Sankeien Garden, Yokohama
Survey By: Yusuke Hattori
Now that the heat of the summer is over, the Lighting Detectives converged on Sankeien Garden in Yokohama to see the new harvest moon glow over traditional Japanese architecture and garden grounds and experience moonlight. Even though it turned out to be a rainy day, we were still positive that the clouds would disappear as we left for Yokohama.
■Stormy Sankeien Garden
After a train and bus ride, 22 members of the Lighting Detectives arrived at Sankeien at 4:00 in the afternoon. Of the 17 architectural structures strategically placed around the garden, 12 are labeled Important Cultural Assets and were moved to the garden grounds from Kyoto, Kamakura, and other places from around Japan. The garden has a long distinguished history and in celebration of its 100th Anniversary, the garden was open to visitors at night. In the middle of our moon watching, the weather took a turn for the worse and chased everyone, but the Lighting Detectives indoors. Soaking wet from the waist down and most umbrellas blown inside out, the excitement of the storm faded and members grew weary as dusk set in and the moon came up.
■Plan B
As Lighting Detective spirits and body temperatures started to dip, we all gathered indoors at the Kakushokaku, formally the residence of local merchants, The Hara Family, and recently renovated and restored to original state for the public’s use. The detectives ate boxed lunches in a simple, but elegant traditional Japanese-style room with architectural detailing from the Taisho Period. After the break the plan was to photograph the full moon as it rose over the garden, but the weather kept the moon hidden and us indoors. Instead, Lighting Detective members viewed a slideshow of photos taken on a previous trip to Sankeien Garden, photos from photographer Kenji Ishikawa`s Moonlight Blue Collection, and a short presentation from Chief Kaoru Mende on Japanese Light. With a little foresight and impromptu planning the moon watching tour turned into a mini lecture, slideshow presentation, and discussion hour, but unfortunately ended without seeing the full moon.


|
■Japanese Architecture and the Moon
On the dry run for the moon watching tour the weather wasn’t any better, but after the sun went down and the moon came up, the clouds shifted to revealed the moon above the three-storied pagoda of old Toumyoji Temple. It wasn’t a full moon, but just like a cup of good coffee and a cigarette, I could feel how Japanese architecture and moonlight go together. Because of Japanese customs related to the full moon and moon watching, Japanese architecture and the moon are deeply intertwined. Believe it or not, in many temples and pavilions there is often a platform specifically for moon watching. At the Katsura Detached Palace in Kyoto, the garden was designed using the rules of perspective and the full moon as the vanishing point. In such rock gardens as at Ryoanji Temple and the old Imperial Palace in Kyoto, highly reflective white sand is used to reflect moonlight. In earlier times when people depended on light from oil lamps, the moon was without a doubt a fascinating source of light. Sankeien Garden is surrounded by hills on all sides, shielding it from intrusive outside light, making it possible to see the true brightness of the moonlight. After experiencing the moonlit garden for myself, I could feet the rich sensation of the elegant pastime of moon watching deeply routed in Japanese culture.
|
|
|